This Ain’t Rock’n’Roll: pop music, the swastika and the Third Reich, with Daniel Rachel
14a Long Row, Nottingham, NG12DH
In this illustrated talk, Daniel Rachel explores one of the last taboos in pop culture and asks why the Nazis, fascism and the Third Reich feature so prominently in the iconography of the artists that defined the twentieth century.
Over the last seven decades, some of rock ‘n’ roll’s most celebrated figures have flirted with the imagery and theatre of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in with the aesthetics, mass hysteria and even ideology of Nazism. Whether shock factor, stupidity, or crass attempt at subversion, rock ‘n’ roll has indulged these associations in a way not accepted by any other artform. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticised perversions of a fascist regime?
Daniel Rachel navigates these turbulent waters, asking us to look anew at the artists that have defined us, inspired us and given us joy – and consider why so many have been drawn to the imagery of a movement responsible for the twentieth century’s worst atrocities. Alongside a sensitive history of the Holocaust and an examination of the place it holds in our cultural consciousness, Rachel asks essential questions of actions often overlooked or underplayed, whilst neither casting sweeping judgement nor offering easy answers. In doing so, he asks us to reassess the history of rock ‘n’ roll and sheds light on the echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today.
Daniel Rachel is a former musician turned author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn’t Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry.
Booking essential
Refreshments included