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Newsletter: 15 July 2026 News and Book Reviews

Recent events and the summer 

Our events programme gets a little quieter in the summer, though we have just arranged to bring Samira Ahmed (the BBC Front Row presenter) to bring a bit of Beatle-mania to the shop on August 11th with an illustrated talk on the film of A Hard Days Night. Our book groups continue over the summer, and in the next few weeks we have the launch of one of our own Five Leaves New Poetry pamphlets by Diana Bosworth, the launch of our book Caribbean Pioneer Gardeners: Hungerhill Gardens, St. Ann’s Allotments, Nottingham by Colin Haynes and a talk by our own Sarah Wilson on Homer’s Odyssey. Wait, that’s supposed to be us being quieter… And then it’s September and we have a course on writing horror. Find all of these, as ever, on our website.

Of the recent events, two of the most memorable were a talk by Aidan Everett on the Latin poet Horace with Aidan’s translations of Horace’s odes and original poetic responses to them. By contrast, last week we welcomed Candice Carty-Williams of Queenie fame being in conversation with Cara Thompson about her new novel featuring the life of a now more mature but still young Black woman.

New From Five Leaves Publishing

Our long-term D.H. Lawrence project is starting to build a bit more of a Lawrence presence in the city. The sixth of our Lawrence-related books is in preparation for September. This one is a pamphlet on Lawrence and Nottingham itself, by John Pateman, looking at the various places Lawrence studied, worked or wrote about in the city. There’s a bookable Lawrence walk in the city centre in September, which follows our Mapperley Lawrence walk which was fully booked. Our biggest publishing contribution though is just being proof-read, a modern version of D.H. Lawrence: a personal memoir by ‘E.T.’, Jessie Chambers, with a new introduction by Kate Foster from the Haggs Farm Preservation Society. That one should come out in October.
       Guy Cuthbertson came to the shop recently to talk about his Lady C, a biography of the book Lady Chatterley’s Lover but of course we keep in contact with Eastwood and John Pateman’s D.H. Lawrence and the Gypsies is being launched at Eastwood Library as part of the D. H. Lawrence Festival.

Tony Challis

Tony Challis died on Saturday, and over the weekend masses of people in the local literature scene posted material on social media. They outlined how they knew Tony, from Nottingham Poetry Society, from Pink Ink, from Nottingham Writers Studio, from Silver Pride, from Stanza, from Edinburgh Festival, from Nottingham Humanists… If you didn’t know Tony but go to literature events, gay events or theatre you probably sat next to him. There are few people around who had such a big cultural life and his diary was full. We were proud to publish his Five Leaves New Poetry pamphlet Rainbow Candles last year. Tony was one of our most regular customers and a regular at events here.
       But mostly those posting mentioned that he was a really nice bloke, helpful to others and supportive of their writing. We’ll miss him.

Radical Bookselling

Radical Bookselling History is a twice-yearly online journal whose content does not stray far from that suggested by the title. The new edition is 77 pages! The main article is about radical bookshops in France from the 30s onwards. There’s also an in depth article about the LAMP bookshop in Leigh, a special feature on the radical publisher Merlin and book reviews about feminist bookstores in the USA and letterpress anarchist publishing. The various other bits and bobs includes obituaries (sigh).  You can read and download the current and past issues of RBH here: radicalbookhistory.org.uk.

What We’re Reading

Many young Jews, particularly in North America, have been exploring “the road not taken” as their Jewish ethics conflict with the Israeli genocide in Gaza. There have been other books on the Bund – the pre-war Polish Jewish socialist organisation, effectively destroyed by the Nazis and Stalin – but this is the one that has broken through to be an essential text for the Jewish peace movement. The Bund ran libraries, theatre groups, youth organisations, sporting groups, women’s organisations… it was secular but physically defended synagogues against Polish fascists. The Bund’s basic position was called “doikeit” – a Yiddish word which this author translates to give her book its title. Molly draws on her own Bundist family background to lead you into her book. It feels – it is – pretty American in style. The Bund does have a continuing organisation in Melbourne, Australia but its ideas are increasingly influential in groups like Jewish Voice for Peace in America.
–Ross
Thomas Flett, a young shrimp-scraper, lives a quiet, routine life in a foggy English coastal town until an enigmatic American filmmaker arrives and upends everything. A slim, atmospheric novel with a lyrical quality, all eerie seaside setting, hidden sinkholes and ghostly fog. Longlisted for the 2025 Booker Prize, it’s a haunting, beautifully written novel that looks at class, ambition, and the old put down, ‘know your place’, which always burns when there is nothing you want more than to be somewhere else.
–Carl
I am a bit sceptical of A-Zs of anything but this book was a delight to read – witty, informative and often very funny. It’s not just for those wanting to write a memoir but also for memoir readers, with a wide range of memoirs in different styles and tackling different subjects mentioned. The author is a skilled memoirist and covers subjects from Autofiction to Memory to Zzz. As you’re working your way through the alphabet, you might find yourself adding your own entries.
–Giselle
Mythographer, storyteller, Eastern Orthodox Christian thinker (and former Pagan reading group pick for his previous book Smokehole) Martin Shaw is deeply concerned that we live in a myth-impoverished age. He argues that we have made an error in discarding completely the slow wisdom of generations-old tales for a total reliance on quick and easy modern convenience and rationality, using stories themselves to show us the error of our ways and persuade us to re-wild ourselves. As a fan of his occasional podcast, I was happy to find he writes just as well as he speaks, and I found it beautiful, convincing and moving work.
–Carl
You may notice a theme in what I’ve been reading recently! And if you have a look at our events, you might be able to figure out why. Having studied Homer at school and university, I’ve read and worked with multiple translations. When Emily Wilson became the first woman (in 2017!) to translate the work into English, she made quite a splash. This is also rumoured to be the translation Christopher Nolan worked from for his upcoming blockbuster adaptation. There’s death, sex and gods a-plenty in this epic. A brilliant, accessible, modern translation. If you don’t know where to start with Homer, I would recommend you start with Emily Wilson!
–Sarah
Alice Oswald is one of my favourite poets, but I was still a little skeptical when picking up this. A reimagining of The Iliad that the author herself describes as a “reckless dismissal of seven-eighths of the poem”? But Memorial is a stark, affecting ode to the dead. You do not need to have read Homer to be moved by the enargeia- the bright, unbearable reality- of war and grief held in this work.
–Sarah
Toni Morrison makes me feel like I’ve never read good writing before. We discussed Beloved in our book group last month and I was once again astounded by her craft and genius. I find new things to admire with every read. But I wanted to recommend a different Morrison, which I read for the first time this month- Song of Solomon– a loose reimagining of The Odyssey but also so much more! Southern gothic and African mythology is woven in with the Homeric to explore the messiness of family and the horror of racism.
–Sarah
A lost epic of the Trojan war, which places the working-class everyman at the centre, rather than kings and nobles, is discovered by an academic on a fellowship in Oxford. Two narratives play out as we read the epic as it is reconstructed from fragments found at an archeological dig, and the footnotes tell of the academic’s personal life as it transforms and collapses while he works. For fans of Jonathan Strange & Mr Norrell.
–Sarah

Event Changes in Early July

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A quick update on events next week,

We’ve had an overwhelming response to our event with Candice Carty-Williams in conversation with Cara Thompson on Wednesday 8th July. We’ve had to move it to Nottingham Central Library (rooms 6 and 7). It has now sold out again, but if you were able to grab a ticket for this one, please note the new location.

If you weren’t able to get in on that one, or if you fancy an extra bookish event next week, we’ve had a very short notice drop-in to our events series with Hannah Levene coming to the shop on Thursday 9th July to talk about her new novel on Queer suburbia A Pizza Hut, a Pizza Hut, Kentucky Fried Chicken, and a Pizza Hut. Hannah will be in conversation with Catrin Morgan. This one was originally going to be held at Beam, but has been moved over to our shop, hence the late notice. It’s sure to be a fun one, so hopefully we’ll see a bunch out you for it.

We should also mention, for the non-fiction reading nature lovers, Jack Perk’s talk on UK Rivers is going ahead as planned on Tuesday, and there are still tickets left. It is nice sometimes when things go according to plan.

See you then!
The Five Leaves Team  

P.S. As ever, you can find the most up-to-date list of events on our website.

Newsletter: 23 June 2026

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Writing this in one of the coolest places in Nottingham…

…though sadly we just mean we have good air-con… However we already have a shelf for diaries started in our stock cupboard – we can’t bear to bring them out yet – and we are event planning for the autumn, so summer is a fleeting moment for booksellers! We were glad to take part in the Lowdham Book Festival book fair on Saturday, a bittersweet day as this was the last Lowdham Book Festival and The Bookcase of Lowdham is closing on 5th September. We saw so many old friends from around the village and beyond.

                                             The headline act at Five Leaves is our new book, a photographic book on the Windrush generation Caribbean gardeners who built their own version of the Caribbean on the Hungerhill allotments in St Anns. The book comprises photos and interviews with some of the men, with some text in Jamaican patois. Today one of our regular customers – an ecologist – said he was the great-grandson of one of the gardeners! He too has his hands in the soil. The photos by Colin Haynes are stunning. The official launch will be at Nottingham Central Library on 25 July, but copies are avaiable in store and online now.
Sticking to photography, we have the three part Nottingham 1976 pamphlets by John Dean. Did you see the exhibition at the Bonington Gallery? No ISBNs or bar codes for these pamphlets, so they are not on our website. £16.00 the set. Also not on our website for the same reason, The 1926 General Strike in Nottingham Reconsidered (£10.00, published by the Notts and Derbyshire Labour History Society). Good to see these local publications.

Best wishes,
The Five Leaves Team  

Upcoming Book Groups

Fiction Book Group
Thursday, 25 June 7PM: Beloved by Toni Morrison

Tuesday, 28th July 7PM: High Wages by Dorothy Whipple

Monday, 24 August 7PM: Invisible Cities by Italo Calvino

Wednesday, 30th September 7PM: Martyr! by Kaveh Akbar

Non-Fiction Book Group 
Wednesday, 12 August 7PM: Who’s Afraid of Gender by Judith Butler

Thursday, 12 November 7PM: The Origins of Totalitarianism by Hannah Arendt

Irish Book Group 
Monday, 29 June 7PM: The Time of the Child by Niall Williams 

Monday, 27 July 7PM: The Spinning Heart by Dónal Ryan

Witchcraft & Paganism Book Club 
Wednesday, 22 July 7PM: Magic for the Resistance by Michael M. Hughes

Wednesday, 23 Sept 7PM: The Magic of the Orphic Hymns by Tamra Lucid and Ronnie Pontiac

Newsletter: 26 May 2026

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Hello Friends,

Lots going on at the shop and elsewhere, including Nottingham Poetry Festival and the very last Lowdham Book Festival 13-26 June, which includes an event for Five Leaves poets on 20 June at 2-3pm. Check out their full programme here.

                                             We have a new Five Leaves’ publication: Rory Waterman’s Devils in the Details which is a journey through Lincolnshire’s landscape in search of the origins and legacies of folk tales. It’s a follow-up of sorts to (though not a second volume of) our 2025 book Lincolnshire Folk Tales Reimagined.

Last week we had a belated launch for our Queer Nottingham by CJ deBarra, at the Central Library. This second volume covers 1991-2020. Around 120 people came, which is not bad for a hot Friday night in a Bank Holiday Weekend. The event ended with at least some people dancing, which is a first for us at a book launch.

We are sorry to hear of the deaths of two of our customers, Jacek Laskowski and Peter Messent. Jacek was in the Stanza poetry group and many people will remember him as the local Arts Council Literature Officer. Peter was at the School of American Studies at the University of Nottingham for many, many years.

Best wishes,
The Five Leaves Team  

Upcoming Book Groups

Fiction Book Group
Thursday, 28 May 7PM: Carol (The Price of Salt) by Patricia Highsmith

Thursday, 25 June 7PM: Beloved by Toni Morrison

Sunday, 26 July 7PM: High Wages by Dorothy Whipple

Non-Fiction Book Group 

Wednesday, 12 August 7PM: Who’s Afraid of Gender by Judith Butler

Thursday, 12 November 7PM: The Origins of Totalitarianism by Hannah Arendt

Irish Book Group 

Monday, 29 June 7PM: The Time of the Child by Niall Williams 

Monday, 27 July 7PM: The Spinning Heart by Dónal Ryan

Witchcraft & Paganism Book Club 

Wednesday, 22July 7PM: Magic for the Resistance by Michael M. Hughes

Wednesday, 23 Sept 7PM: The Magic of the Orphic Hymns by Tamra Lucid and Ronnie Pontiac

 

Newsletter: 19 March 2026

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Happy Spring,

This week gave us the first day this year where we were able to have the shop door open, and our alleyway garden is coming back to life, just in time for vernal equinox this Friday. With the days getting longer, we hope we can tempt you inside for some bookish evenings, with one event still to go in March, and six in our diary for April, alongside our book groups. Our card is filling up for May and June as well, so head over to our events page to book your place.

Best wishes,
The Five Leaves Team  

Upcoming Book Groups

Fiction Book Group
Thursday, 26th March 7PM: East of Eden by John Steinbeck 

Wednesday, 29th April 7PM: The Word for World is Forest by Ursula K. Le Guin

Thursday, 28th May 8PM: Carol (The Price of Salt) by Patricia Highsmith

Thursday, 25th June 7PM: Beloved by Toni Morrison

Non-Fiction Book Group 
Tuesday, 12th May 7PM: Abolition: Vol. 1 by Angela Y. Davis 

Wednesday, 12th August 7PM: Who’s Afraid of Gender by Judith Butler

Thursday, 12th November 7PM: The Origins of Totalitarianism by Hannah Arendt

Irish Book Group 
Monday, 23th March 7PM: Exciting Times by Naoise Dolan

Tuesday, 28th April 7PM: Reading Turgenev by William Trevor

Monday,18 May 7PM: The Boy From the Sea by Garrett Carr

Monday, 29th June 7PM: The Time of the Child by Niall Williams 

Witchcraft & Paganism Book Club 
Tuesday, 19th May 7PM: A Spell in the Wild by Alice Tarbuck 

Wednesday, 22th July 7PM: Magic for the Resistance by Michael M. Hughes

Newsletter: 24 February 2026

Juggling dates, waiting for replies… 

…but we’ve now got most of our spring events programme lined up. It’s not *all* done yet… so keep close!

But I’m going to start by mentioning a book that is one of those annoying books that you pick up, and realise that you want to read it more than the book you are currently reading and the book due after that. It’s The Penguin Book of Polish Short Stories. 564 pages, so I might be gone for some time. Predictably the book is edited by Antonia Lloyd-Jones, who has translated many of the Polish books that have passed through the shop. There’s an introduction by Olga Tokarczuk, winner of the Nobel Prize for Literature, who also contributes. Lloyd-Jones has themed the stories – animals, children, surrealists, misfits (surprisingly only three entries!) and so on rather than by chronology from the earliest stories from 1918 to the most recent. Excuse the cliché, but I can’t wait. The hardback is out of print so you could order the paperback in advance here…. or use your library.

Head over to the events tab to choose from the seven events we have on in March, or scroll down to see what our book clubs are reading. We have a full programme in the works for April and May, with tickets for confirmed events already available on our website.

– Ross

Five Leaves Publishing 

This week we’re celebrating the publication of D.H. Lawrence and the Gypsies by the Romani writer John Pateman, accompanied on our table by the a tiny vardo (horse-drawn trailer). If you squint you can even spot the book off to the left…

Upcoming Book Groups

Fiction Book Group
Thursday, 26th February 7PM: Set My Heart to Five by Simon Stephenson

Thursday, 26th March 7PM: East of Eden by John Steinbeck 

Wednesday, 29th April 7PM: The Word for World is Forest by Ursula K. Le Guin

Non-Fiction Book Group 
Tuesday, 12th May 7PM: Abolition: Vol. 1 by Angela Y. Davis 

Wednesday, 12th August 7PM: Who’s Afraid of Gender by Judith Butler

Thursday, 12th November 7PM: The Origins of Totalitarianism by Hannah Arendt

Irish Book Group 
Tuesday, 24th February 7PM: The Land of Spices by Kate O’Brien

Monday, 23th March 7PM: Exciting Times by Naoise Dolan

Tuesday, 28th April 7PM: Reading Turgenev by William Trevor

Witchcraft & Paganism Book Club 
Tuesday, 17th March 7PM: Magic Maker by Pam Grossman 

Tuesday, 19th May 7PM: book choice TBA

Skail, poetry by Richie McCaffery (New Walk Editions, 2025)

Skail is an old Scots word meaning a scattering or dispersal. This information is provided in the back-cover blurb, where we also learn that “the poems in this pamphlet take place in the aftermath of a pandemic, and in the dissolution of a long-term relationship.”
The first two lines of the title poem – an especially strong piece – suggest the supernatural, perhaps hinting at threat:

The night before Halloween, he came to her in sleep, / called out her maiden name,
with a cancerous rasp.

But this ghost comes not so much in anger as exasperation: “He could wait no longer, it’d been 15 years already / of dilly-dally-hanging-onto-daddy’s dust.”

Her indecision is swiftly rectified. She involves “the great grandkids / he never even knew”; who use “little grain scoops” to scatter her father’s ashes in plant pots and they leave out a “tot of his favourite whisky … to slake his thirst.”  But “Little grain scoops” will not be enough. The third and final stanza returns us to the woman and then, as if mirroring the first stanza, to the intangible, the supernatural. Despite the apparent abandon of her
actions, we see how keenly she feels the loss:

But the bulk of his ash was left to her, and went
headfirst into the remains of the vegetable bed.
And though it was a wet night, the dust cloud of him
hovered under the streetlamp, as if getting its bearings.

Perhaps The Lucky Penny, one of the later poems in the pamphlet, is about the same extended family. It begins: “When you were wee, he brought back a lucky penny.” Once washed, however, it is revealed to be a Victorian gold coin. That the finder has not recognised its worth is ironic, given his repetition of the well-worn maxim: “Find a penny, pick it up, all the day you’ll have good luck.” This failure to recognise good fortune, is, we learn in the final stanza, characteristic:

Over the years you’ve watched your mother’s profile
change, caring for grandkids and holding the house
together as he aged too, cursing a life of misfortune.
He never knew he held gold in his hand. Still does.

The poems in this slim pamphlet avoid first-person narration, perhaps signifying a desire not to claim self-importance but to draw attention to the complexity of what it is to be human. It risks seeming disingenuous, however, especially in poems that seem to evoke the ending of the long-term relationship referred to in the blurb. In Scrap, for example, we read “Her last words to him were written, not spoken, / a paper cut severing them and their fourteen years.”  And in Cicatrix, “He never heard the wind changing. / Before he knew it, he was out of the frame.” The distance between speaker and poet seems small, only the pronoun holding them firmly apart. All the poems feel natural and honest, though, the speaker assuming the role of an unobtrusive observer who reports what he
sees with compassion and humour.

In Bolt, a man gets off a bus and is “dazzled by a camera flash.” He wrongly assumes a group of teenagers have taken his picture and is about to confront them when he is saved from humiliation: “the ordnance of thunder blew them all / out of their skin.” The poet trusts his reader to work out what has happened. The final lines of the poem roll together the teenagers, the man, the poet, and his readers:

That’s being human
one instant so full of self, the next
made to feel like no-one, nothing.

This acknowledgement of vulnerability is a thread that weaves through the poems which work well as individual pieces but resonate even more when read together.

Julie Gardner 

This review first appeared in Everybody’s Reviewing and is a Nottingham STANZA choice

Newsletter: 13 Feb 2026

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Hello Readers,

While writing this newsletter, Kate (working remotely) asked Ross to send over a nice picture of the bookshop garden. He informed her that spring has not yet come to Swann’s Yard and to try again later, so instead, we’re offering you a nice list of books that you can curl up with until spring does its springing.

Our book groups are already in full swing this year, and after a slightly slow start to the year, we’re back to a stacked events programme in March, featuring several Irish events around St Patrick’s Day. You can find the full list here.

Best from the Five Leaves Team: Ross, Carl, Sarah, Giselle, Kate, Pippa, Deirdre, and Costanza

New From Five Leaves Publishing

________________________

We have two new books on our Publishing side this month. We’ve just received copies of from the printer of the much anticipated second volume of CJ DeBarra’s Queer Nottingham. This one covers the 1990’s to 2020, where we dive into the underground queer spaces of the hedonistic 1990s, then see the return to grassroots activism, and ultimately end up with our vibrant, diverse community, which plays such a vital role in Nottingham’s culture today. The book incorporates archival research with an impressive 175 interviews from people across the queer spectrum. Look out for details of an official launch party. It will be tough to out-do the event we had at Nottingham Central Library for the last volume, but we’re going to give it a go.
Due in any day now is the latest instalment in our D.H. Lawrence series with D.H. Lawrence and the Gypsies, by John Pateman. This one is an exploration of Lawrence’s lifelong fascination and affinity with people who lived outside the bounds of ‘civilised society.’ The book explores Lawrence’s intimate understanding of Romany culture, his admiration and longing for an itinerant life on the road, but also his reproduction of some of the stereotypes, and his exploration of class and race in the early 20th century. Author John Pateman describes himself as a “Gypsy, Librarian, Communist,” and we’re proud to call him a friend of the shop, as well as the author of Willie Hopkin: D.H. Lawrence’s Socialist Friend, which we published in 2024.
Just going into final edits now, is Devils in the Details, our second book with Rory Waterman and the Lincolnshire Folktales Project. Last year Rory was a co-editior of and contributor to our compilation Lincolnshire Folk Tales Reimagined. This time he invites us to join him on his travels around the county, in search of its folk tales through the landscape, architecture and history. Although this solo-authored book is about the folk tales, rather than focusing on retellings, it’s punctuated with weird and wonderful tales throughout, that will appeal to storytellers and story lovers alike.

 What We’ve Been Reading

______________               __________

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Lee Miller’s War: beyond D-Day edited by Antony Penrose (Thames and Hudson, £17.99)

Having seen the film Lee, watched an online talk on her and attended the Lee Miller exhibition at Tate Britain, I thought it was time to pick up a book, or one book from among the many. Though the exhibition (open until 15th February) featured many aspects of Miller’s life ranging from her photos of fellow surrealists through to her pictures of North Africa, it was the wartime and post-war images that stuck with me, hence choosing this book. It’s illustrated by many of the best – in other words, most tragic – images but there are also many articles by her about her journey with troops, often on the front line as the Allies fought their way through France and Germany. Miller was among the first to photograph the invasion, the camps found by troops, and there’s even a photo of her having a bath, in Hitler’s bath, with her filthy boots on the bath mat in a chapter starting “I was living in Hitler’s private apartment in Munich when his death was announced”.
Miller’s ambivalent feelings towards some of the women she photographed are included, the French women having their heads shaved as they had slept with German troops, the well-fed German women appearing from the ruins of their cities. Lots of pictures to look at, and text to read and reread.

–Ross
How Silicon Valley Unleashed Technofeaudalism: The Making of the Digital Economy by Cedric Durand  (Verso, £12.99)

A provocative, political and economic critique of the digital economy’s dominant forces. Rather than ushering in a new era of innovation and prosperity, the tech giants have regressed toward a feudal order, where a few major platforms extract value and control data, turning users, workers, and even other businesses into dependent subjects, akin to feudal lords extracting rent and reinforcing dependencies rather than fostering competitive markets.
It’s a stimulating read for anyone interested in political economy, tech critique, and how digital platforms may be transforming economic and social relations, though its pace is a little uneven, and the second half gets bogged down in academic theory rather than real world examples.

–Carl
Saving the Butterfly : A story about refugees by Helen Cooper illustrations by Gill Smith (Walker, £12.99)

When two refugee children try to remake their lives in a new home, the younger one is able to start over, but the older one’s anxiety keeps her hiding in the house. One day the younger one brings her a butterfly, but it can’t live its whole life stuck inside. It’s up to the older one to rescue it, but to do that, she’ll have to go out into the world. A touching story with beautiful art which addresses both the refugee crisis and the topic of children’s anxiety with a gentle hand.

–Kate
Bat Eater by Kylie Lee Baker (Hodder & Stoughton, £10.99)

This was the first book I finished in 2026 and I haven’t stopped thinking about it. It’s also the first squarely “Covid novel” I’ve read, and I realise I’ve been avoiding books directly engaging with an ongoing pandemic we are not done experiencing let alone processing. However, this is filled with a rage it turns out I needed. It is gory and visceral and definitely not for the faint-hearted! The book starts with our protagonist, Cora, witnessing her sister’s death and follows her trying to navigate that loss alongside experiencing anti-Asian hate, a possible serial killer, hungry ghosts and messy family dynamics. The book grapples with mental health, the migrant experience and trying to belong, all while being a propulsive, compelling read. I couldn’t put it down.

–Sarah
Things That Disappear: reflections and memories, by Jenny Erpenbeck (Granta, £12.99)

Jenny Erpenbeck won the International Booker Prize for Kairos, a novel of coercive control set in Berlin as her native East Germany moved towards the endgame. So much of her work relates to that disappearance, as do some of the essays, all short, in this slim volume quite suitable for a train journey to London. All the essays appeared in the Frankfurter Allgemeine Zeitung and are translated here by Kurt Beals. Some of the disappearances are very personal, of loss, some of just parts of life that have moved on or from which you have moved on. I imagine that most of the readers will be Erpenbeck readers, but there are a lot of them around.
The title reminded me of a much thicker book, with longer essays, London: a book of disappearances edited by Iain Sinclair, which I’ll get back into stock. Not least to reread the essay about a part of London that I thought I knew well enough but which was entirely made up. Not so much a disappearance as a fabrication. Other, real, disappearances reflect book trade history, the East End of London – lots of things that press my buttons. I’ll try to find my old copy tonight.

–Ross
This, My Second Life by Patrick Charnley (Hutchinson Heinemann, £16.99)

A quietly restorative and beautifully written literary debut follows a young Jago Trevarno as he rebuilds his life after surviving a cardiac arrest that leaves him with lasting brain injury. Relocating to his uncle’s farm in rural Cornwall, his days are measured by the rhythms of nature and the simple tasks of farm life. His fragile stability is tested both by the return of his first love and by growing tensions with a local landowner, lending a subtle narrative tension (what is behind that locked door?) to the reflective tone. A perfect fiction pick for the winter’s end / early spring transition.

–Carl
Gliff, a dystopian novel by Ali Smith (Penguin, £9.99)

This doesn’t work for me as a novel, but it’s still worth reading. Gliff is a horse, bought, though not actually paid for, by two children who have fallen outside the system when their house is marked for demolition and they have to look after themselves. Their mother is working in a hotel somewhere and an older youth gives them some money, finds a temporary place for them and disappears from the scene. The hotel says they have no record of their mother. Data is all. The book hints at so many bad issues we have to deal with and is prescient about new issues that have come up since she wrote the book. The demolished houses, for example, first have red paint daubed round them and people feel uncomfortable near them. Flags, anyone? The right of residence can be taken away easily. ICE?
Surprisingly there were little bits of humour. The boy who thought he had sold Gliff is called Colon. You mean Colin? No, he is called Colon, with one of the children wondering if his second name was Isation?
Ali Smith also includes some phrases worth remembering: “A tyrant runs a country. He does this via a lot of people doing this tyrant’s work for him.”
    Gliff is her most recent paperback. Her new hardback is Glyph. I have no idea, yet, if they are related.

–Ross

Hamnet, the film… though you have probably also read the book

I wrote this after seeing Hamnet (thrice).
Paul Mescal is a wonder to behold in Hamnet.

I taught Shakespeare’s work many times during a part-time but full-on lecturing life at Loughborough University (c. 1993-2024); occasionally the plays, but most often recently (before I retired in Dec ‘24), a selection of Shakespearean sonnets. I loved lecturing; rediscovering the sonnets and passing that enthusiasm on to students in our lively seminars. If I were teaching them now, I’d tell them to go and see Paul Mescal in this film. Maybe we would have had a class outing to the cinema.

What surprised me about Hamnet-the-movie? I knew on one level of course that Will was once a young and sexy man, in love. How could you read/see Romeo and Juliet, hmm and not know WS was in love as a teenager? You could not see/read ‘Much Ado About Nothing’ and not realise that WS, like Benedick, is captivated by the sort of witty, feisty, independent woman like Beatrice (or Agnes) who, as my Mam would say, ‘has far too much oul guff out of her’ and ‘sez more than her prayers’.

But that huge overwhelming ‘William Shakespeare’, colossus of Stratford / The Globe/ England-land, and especially that weird balding ‘portrait’, had sort of obscured in my mind that WS was, of course, once an educated but intensely curious and, crucially, *young* and yes, attractive, man. I made someone laugh recently when I said we find it easier to accept David Mitchell as WS in Upstart Crow.
I am a big fan of both Mitchell and this well-written show. Of course I am: Literature and Literary Culture is the world I live in. Besides, it is very funny, and it’s on BBC. If Mitchell fits only too well into the ‘Will’ of your imagination, remember this: Mitchell is in his 40s, playing Will in his late 20s (in the early timescape of the TV series ).
In Hamnet, 30-year-old Mescal is, for me, totally believable as the 18-year-old falling for the slightly older Agnes, and as the older, but definitely not middle-aged looking, Will. Literary Historians reckon WS wrote and first produced Hamlet when he was in his late 30s.

Like every Irish teenager, I studied a WS play each year at Secondary School. I learned off lots of speeches. There were painful … er… Readings. I am not sure ‘drama’ is quite the term, but the pain was real. A classroom of teenagers murdering the Comedies/Histories/ Tragedies? I would like to say we showed some discretion or discrimination. We didn’t. Yea, alas, we murdered them all, forsooth. The classroom floor was strewn with mangled and broken verse, comparable to the final scene of Hamlet. You’re thinking ‘the lady doth protest too much’? Ha! If only. I could act a bit, then and now, but something about reading Shakespeare aloud in class turned us all into wooden bores.

I distinctly remember learning about the Dark Lady and the Fair Youth, objects of inspiration and attraction in the sonnets. (Sorry if I’m upsetting your notions of 1960s-70s Irish convent schools. We learned about Oscar Wilde and Bosie too.) Overwhelmingly, I would say, the sonnets express desire. Paul Mescal brings that to life on the screen: desire for love, for connection, for freedom; the desire to write and be successful, to have your worth acknowledged. To be ‘seen’. as they say these days.

Yes, I *am* aware that Will-who-wrote-the-sonnets was at the other end of his life to the-Writer-figure-in-this-film. All those sonnet lines about wanting to be remembered, to leave a legacy, to achieve immortality, would be unlikely coming from a young man (as we first meet WS in Hamnet the film).

I think what comes across most strongly in Hamnet-the-movie, a quality I would have liked my students to discern, is that the passionate will (pardon pun) to matter, to make a mark, was always there. Yes, I realise also that speculation about a writer’s motivation is always going to be just that: speculative. As my favourite tutor used to say, “It’s not as if we’re going to dig him up and ask him”!

I loved the tearing-up-paper-at-night scene, and the thrumming out of the rhythm of a sonnet, because, though I wouldn’t call myself A Writer, I’ve been there, done that, got the jerkin. I am grateful for better pens, paper, lighting and heating, and my non-communal living. I, like Agnes, am a farmer’s daughter. I have a lot in common with a young woman who is scruffy, untidy, a bit grubby, seen as a (w)bitch, unmanageable, unmarriageable. Yes, Co Carlow farmfolk, I knew well what you thought of me . . . and probably still do, like I fkn care.

I was intrigued by the casting of Hamnet. I don’t want to sound like a mad Irishwoman (that ship has sailed, I can hear my beloved Brian comment), but I was delighted by the success of Hamnet the novel, by Maggie O’Farrell, 2nd-generation Irish. I moved ‘over’ from Carlow in 1988. I am Irish, yes, but also Irish-in-Britain, part of a community I somewhat inadvertently joined back then. I have not met O’Farrell but I am proud to be part of the same community. The Kerrywoman Jessie Buckley brought the strange, fey, otherworldly quality of O’Farrell’s Agnes from page to screen. In a way, Buckley and the director could create Will’s partner from scratch, as little is known about the original AH. There’s marvellous material in the novel, and, I’m sure, in the film script, and hence, wider scope for the imagination, but we the audience don’t all think we know who Hathaway is.

Paul Mescal had, arguably, a much more difficult role. Each of us has our own version/vision of William Shakespeare, greatest writer of English ever, the GOAT, the inimitable unassailable Bard/ Swan of Avon, and so on. Mescal had to put “too too solid flesh” on the bones of the screenplay, but also on the skeletons we carry around in our closeted brain-cells, the Shakey Bones of our preconceptions.

Paul Mescal’s role as Shakespeare will outlast Oscars 2026.

“So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.”
(Sonnet 18)

Sonnet 55 even mentions statues:

“Not marble nor the gilded monuments
Of princes shall outlive this powerful rhyme,
But you shall shine more bright in these contents
Than unswept stone besmeared with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war’s quick fire shall burn
The living record of your memory.
’Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
So, till the Judgement that yourself arise,
You live in this, and dwell in lovers’ eyes.”

Thanks, Paul Mescal, for your phenomenal performance.

F**k the Begrudgers.
——

Deirdre O’Byrne
Knows all the words to her tribal song , ‘Follow Me Up To Carlow’. Likes books, dogs,
cinema. Dislikes people commenting on her Irish accent. Runs monthly book at Five
Leaves Bookshop.

Newsletter: 29 Jan 2026

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Welcome to our February and March events newsletter.

We have started to return to activity after the post-Christmas lull – though the shop has been reasonably busy since the break.

There have been a few moves round… horror/science fiction/fantasy have all been separated out and given more space, translation has grown with mini-sections in masses of languages, politics has a bit more display space, as has music. Art, alas, is one of the losers and no longer has a unit of its own. Have a wander round to find your favourite section and ask us if you can’t spot it – there’s always the possibility we will know.

There’s a distinct Irish element to our events in March in support of the local St Patrick’s Festival. There’ll be more down the line, celebrating important parts of the Irish calendar, some storytelling and – let us know if you are interested – a slow reading group discussing James Joyce’s Ulysses. Meantime our monthly Irish book group (for which you don’t have to be Irish) is thriving. On the book group front, our Pagan group is now Witchcraft and Paganism, and we are trying generally to have the dates of all our book groups sorted well in advance and on our website. There are lots of external bookstalls coming up at events organised by others too – Simon Armitage, Hollie McNish (sold out at Metronome), Yael van der Wouden and Sacha Coward, Katy Watson, Claire Hubbard Hall, Danny Scott. Email us if you can’t find the details.

In the news…

Like you, we have watched American politics with mounting concern. We have sent a message of solidarity to the eighteen (!) independent new and secondhand bookshops in Minneapolis/St Pauls. Several of them have been actively and publicly involved in resisting the occupation of the Twin Cities by ICE: fundraising, striking, demonstrating, and protecting vulnerable people. Locally, many of our customers have been involved in Stop Trump activities, and there will be a gathering this Saturday at 1:00 pm at the Brian Clough Statue. At the first such gathering, we heard from Minneapolis citizens currently resident in Nottingham.

Five Leaves Publishing

We are sorry to hear that David Ablitt died a few days ago. Dave was the author of our book Sneinton People, which comprised interviews with residents of Sneinton over forty years ago, which were first published in Sneinton Magazine at the time. These ranged from someone who fought in WW1 through to a refugee couple who fled Iran after the 1978 revolution. As this note suggests, Dave was active in community issues for many years, but we also knew him from his days as a young political activist in Nottingham in the 1960s, the period covered in our Winter in the Bookshop memoir by Sylvia Riley. Our condolences to his friends and family. Let Ross at the bookshop know if you would like information on the funeral – though we imagine word has got round well already.

Finally, congratulations to CJ DeBarra, author of our two-volume Queer Nottingham history – she will be given a Rainbow Heritage Award for this work in February by Notts LGBT+ Network. The second volume will be available in a few days to catch a couple of events – the launch date will be announced soon.

For a full list of our events and book clubs head over to our events page