May 31, 2021
8:35 am
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There are no current books on radical bookshops in the UK, and save for one academic book on feminist bookstores* in North America, this is the first book I have seen on this subject there generally. This is surprising given the radical booktrade’s contribution to left-wing culture. On my shelves I have a book devoted to the Berkeley bookstore Cody’s, a book on Melbourne’s radical bookshops and several old British texts but we really should publish more about ourselves!
Unfortunately The Radical Bookstore is too academic to reach beyond a specialist audience. That is not to say it is without value, The book, for example, discusses “landscapes that shout” compared to “landscapes that entice”, contrasting the book displays and interior decor of different shops which have different approaches. This alone should be a subject of discussion on the shop floor (even if nobody is suggesting joining our Prime Minister and employing Lulu Lytle at £800 for a roll of wallpaper). What are we trying to say, and to whom? Who do we exclude if people find our spaces “intimidating to walk into”? Do potential customers think we are shouting at them? Ironically, though that might not be the right word, most of the books available in the radicals could appear in any big mainstream bookstore but, as Minneapolis’s Boneshaker Books suggest, it’s “like somebody has taken a big bookstore and put it through a sieve and only the very best stuff came out… So hopefully there’s not as much noise, and you just get all the signal that you’ve been looking for.”
Some traditions in radical bookselling in the States have been uncommon here until recently, businesses owned by what Kinder calls “activist entrepreneurs”. A neat phrase that accurately describes many of the recent radical bookshops here, compared to the collective tradition once more common. And what might these activist entrepreneurs have to do to survive? They might have to compromise. Or, sometimes, close down rather than compromise when only a more commercial approach will pay the workers or the rent. This happened over some shops going “non-profit”, the equivalent of obtaining charitable status here, which brings tax and other concessions but limits the campaign possibilities of the spaces. They felt it was better to shut up shop than “sell out”.
The rent… one of the reasons radicals have struggled has been gentrification, though, astonishingly Kinder writes about neighbourhoods where they have been part of that gentrification, where radical bookstores have anchored or even started to turn round a failing retail area. She remarks that not all the shops eschew capitalism – “In many feminist-, queer-, and Black orientated spaces, the goal is less about escaping capitalism and more about combating patriarchy, homophobia and white privilege by getting more minorities into leadership positions, including business ownership.”
Finance is often a problem, leading to volunteerism and “self-sacrifice”. About half the shops she spoke to relied on volunteer labour or private money. This is a major political issue, for who can afford to work for free or extremely low pay indefinitely? Red Emma’s, an anarchist set-up, moved from people working for free, usually with a job on the side, to full-time employment with living wages and benefits which, in their words “keeps the space going.” Others, however, don’t mind being shoved to the margins because they “associate the spatial fringes with a positive sense of transgression”. Sure, but economic displacement kills custom. Giovanni’s Room, City Lights and Quimby’s and others have only survived because they bought their premises in an act that was a hedge against gentrification.
The Radical booktrade in the USA had its problems of course – 90% of feminist bookstores and Black bookstores closed within a few years. The high water mark of Black bookstores was between 1965 and 1979 when their number grew from around a dozen to between 75 and 100. But times change. Beyond the time frame of this book, in the States, so far this year 23 BIPOC (black, indigenous, and other people of color) bookstores have opened. This must be due to the impact of Black Lives Matter. The earlier range of Black bookshops included places affiliated with the Black Panthers and other militant groups whereas Mahogany Books in Washington (online since 2007, physical since 2017 and now with a second outlet in Maryland) had a surprise visitor to a recent meeting of their regular online book group… one Barack Obama.
Most of the bookshop workers interviewed saw their premises as a shelter from the storm. Kinder describes these as “filtered offstage places [that] provided social support for processing and grieving not simply because likeminded people were present but also because opposition groups were absent”. This was in the era of Trump, though some of the women’s bookshops had a longer term caring role for those, sometimes literally, escaping patriarchy.
And radical bookshops are often there for the long haul. In the two years Kimber took to write the book, several of the places she covered closed down, but their average lifespan was twenty-eight years. Wild Iris, Minnehaha, Rainbow, Modern Times, Boxcar, Calamus, Internationalist had served a generation. She writes that “Closing is not failing” as “these venues leave lasting, life-altering impressions” which “encourage new generations of activists to find updated ways to get durable spaces back on the map as part of the infrastructure of dissent.”
So welcome City of Asylum, Violet Valley, Café con Libros, Black Feminist Library, Mahogany, Uncle Bobbie’s, Nuestra Palabra and the others that opened in the same two years. I look forward to reading how they fare in years to come.
The Radical Bookstore should be bought, of course, from your nearest radical bookshop or here: fiveleavesbookshop.co.uk/product/the-radical-bookstore-counterspace-for-social-movements/
Ross Bradshaw
*The Feminist Bookstore Movement by Kristen Hogan (Duke, 2016)
If you were a political activist of a certain age you will have been inspired to attend demonstrations by flyposted posters designed by David King, worn a badge designed by him, read a book with a cover by him and shared his concerns about Vietnam, apartheid, nuclear weapons and the National Front. King’s bold, simple designs were instantly recognisable and were just everywhere, though probably few gave thought to the designer!
In his later years David King had become one of the world’s experts on Soviet art, curating a famous exhibition at the Tate, which became his final publisher. He had collected posters, badges, leaflets, books from the Soviet past and was perhaps uniquely able to curate these exhibitions and books, such as Rodchenko’s exhibition at the Museum of Modern Art in Oxford.
If you were not so much a political activist you perhaps also saw his design for Crafts, City Limits, Sunday Times Magazine, London Review of Books, Penguin book covers…though the Jimi Hendrix Electric Ladyland album sleeve might not have been a great idea. This book also describes King’s photographic and design techniques which means that as well as grey-haired activists marching down memory lane it would be a useful read for any design student.
