Fiona Moore asks “am I really here/ in gaelic they say in an island not on it” and, as readers, we might begin preparing ourselves for an immersive experience. Okapi is a single, book-length poem, set mostly on (in!) a Hebridean island during the pandemic. Moore’s rich descriptions recreate the island as a living protagonist: the subject of reflection, memory, destruction, loss (symbolised by the rare okapi, a favourite animal in her childhood zoo), beauty and resilience, a meeting point of substance and dream: is it possible to be in the real island and the dream island at the same time to inhabit the real as if in that haze or inhabit the haze as if real “The calm yet faceted language of Moore’s luscious music spectacularly recovers the joys of landscape. I enjoyed the authority of the voice in service of the natural world and its precarity. A moving and exciting sequence of poetry.” —Daljit Nagra “Moore’s is a rare gift. We occasionally encounter artists… who work at the limits of the known, of the utterable. Their work is shamanistic – rooted to experience, woven from the fabric of the universe. Moore would doubtless contend this quasi-spiritual claptrap, but her work achieves this.” —John Field