The Narrow Land, by Christine Dwyer Hickey (Atlantic, £8.99)

June 14, 2020 8:46 pm No Comments

It’s 1950 in Cape Cod, Massachusetts, towards the end of summer, a time when the holiday lets end and the summer only residents return home. Two of the latter are Jo and Edward Hopper, he the Hopper whose paintings would eventually sell for up to $92 million but also an artist whose paintings of meditative (or possibly depressive) solitude have been described as the painter of the Coronavirus era.

In that period Hopper was struggling to paint, to find the combination of buildings, people and shadows that would inspire him. His health was not great. Jo – his wife – had been an artist and in the novel she bubbles over with anger that her talent was never recognised. Edward tries to be kind, but makes it clear that she had little to offer. Their marriage reads like a nightmare, he, depressed, she, well…”… in any given group she will sooner or later find an enemy – usually another female… she has always irked people, rubbed them up the wrong way, frequently insulted them or swiped back at an insult where none had been intended.”. Oh dear. This was marriage as car crash, literally too as Edward tries to stop her driving on public safety grounds which led, like virtually any spoken word, to periods of brooding silence or repetitive anger and outrage.

Into their barren lives come two ten year old boys, neighbours along the beach. One, Michael, is a wartime orphan taken out of Germany, a boy who knows little of his parents or past other than horror. The second is Richie, himself a lost boy, whose father was killed in the war and who resents his mother starting to take up with another man. The boys are meant to get on with each other, perhaps to help each other. They don’t.

But to the suprise of the childless Hoppers, they like the boys and the boys like them, with Michael becoming a near daily visitor to Jo. For once, everyone has a friend. Michael becomes less scared and in Edward Richie finds someone he can talk to (and, boy, he talks) who will actually listen. Even the awful Jo, usually so divorced from any feelings other than resentment, changes when looking at Michael – “… the feeling comes on her again, under her breastbone, between her ribs. A feeling that is one second of joy, two seconds of grief. And she knows then: what has been removed is loneliness and what has been added is love.” Can such a feeling sustain?

The novel comes to a head during and after a huge garden party organised by Richie’s mother. The problems of each of the main characters hang over us as the author views the party from different perspectives, as she does throughout. The recent war also hangs over the party – many of those attending also lost family or were wounded or were Vets, and the word Korea is on people’s mind. And we know that the long summer is ending, which, for Katherine, Richie’s sister, brings dread as this underplayed but interesting character knows she has not got long to live.

For everyone, the party will soon be over.

Ross Bradshaw

The Narrow Land is available for £8.99, post free, from bookshop@fiveleaves.co.uk

The Dutch House, by Ann Patchett (Bloomsbury, £8.99)

May 23, 2020 2:52 pm No Comments

“Jesus,” Celeste said later when I was trying to tell her the story. “It’s like you’re Hansel and Gretel. You just keep walking through the dark woods holding hands no matter how old you get. Do you ever get tired of reminiscing?”

Celeste, in Ann Patchett’s novel, newly out in paperback, is the wife of Danny, the narrator and brother of Maeve, the Hansel and Gretel of her remark. She is not happy that her husband is so hung up on his sister and the “Dutch House” about which he talks constantly – the house of their shared childhood. It was the Dutch House because it had been the property of the Van Hoebeeks and the siblings’ parents had bought it, leaving the mansion unchanged – the same Van Hoebeek family paintings on the wall, the same furniture, the same Dutch books on the bookshelves.

The one addition was a portrait painting of Maeve aged ten, which graces the cover of the book. The painting itself has a backstory, something more to reminisce about.

The children were not the only people obsessed with their shared past. The family servants Sandy and Jocelyn, and Fluffy, who had an affair with Danny and Maeve’s father and had to leave hurriedly, all flit in and out of each other’s lives over the fifty years of the story, dreaming of a past when they were all together before the wicked step-mother came into the House. Andrea – the step-mother – was a cuckoo, evicting everyone once her new husband had died. Nobody really understood their attraction and nobody really knew what had happened to his first wife, the mother of the children, other than vaguely that she had gone to India. Was she even alive? We would find out.

Danny and Maeve were thrown together. She takes a job beneath her talents and stays there, and stays there for decades with just the hint of a possible romance with the firm’s owner. Danny goes to study medicine at Columbia. They’d been cut off from their inheritance as their father left everything to the step-mother save for a line in his will saying the Estate would support him through his education – and medicine offered the longest and most expensive course so he could get at least some of the inheritance. Having become a doctor he realises that his real interests lay in following his late father into the property business, initially buying broken-down property in broken-down Black slums knowing that eventually gentrification would happen. Not that he was a bad landlord at all. He’d learned how to treat people right from his mother who would let people off their rent and sometimes bring food for her tenants if they were going through a particularly hard time.

So what do we learn over the fifty years? I’m not sure, in the end. Many people look back on their past, the roots of their happiness or unhappiness in childhood, but few park up outside the house they were brought up in just to look at it over and over down the decades. Towards the end, everyone still lving is back in the Dutch House (it would be too much of a giveaway to explain how) and Sandy says “The ghosts are what I come for. I think about Jocelyn when I’m here, the way we were then. We were all so young… We were still our best selves.” Maybe that, then.

Ann Patchett is a successful American novelist. Finding the town she lived in without a bookshop, she opened one, using her own fame as a magnet to attract customers and visiting writers. She is best known for Bel Canto, after this it is definately on my TBR list.

The Dutch House is available from bookshop@fiveleaves.co.uk for £8.99 post free in the UK.

Ross Bradshaw

No Is Not Enough: defeating the new shock politics by Naomi Klein (Allen Lane, £12.99)

September 24, 2017 7:51 pm No Comments

Image result for naomi klein no is not enough

Naomi Klein is one of a new(ish) generation of radical writers influenced by feminism, supporters of the Occupy movement and other liberation groups, all of whom are directly exploring new forms of organisation or seeking new life within older organisations. This generation includes Rebecca Solnit, George Monbiot and Owen Jones, all superactivists as well as writers. All of them also write in accessible ways and don’t clutter their left-wing views with exclusionary language. In this book Klein makes a point in writing simply, informed but without the need to make as many references as her earlier books. There is no need to know any codes or history or be a fully-formed, clued up intellectual to appreciate her writing.

Klein lives in Canada, the daughter of Jewish-American parents who’d left their country as war resisters. She is involved in Canada with the organisation LEAP, whose manifesto appears as an appendix to this book, but primarily she writes about Trump and the current new shock politics. Her book is simply structured – How We Got Here, where she draws on her No Logo history to imagine Trump as a superbrand; Where We Are Now, which concentrates on the clear and present danger of climate change; How It Could Get Worse, which was obviously written before Trump started to threaten American football players with being nuked (I am only predicting one of his future tweets…), How Things Could Get Better, which shows how mass resistance is created by the “shock doctrine” backfiring; The Caring Majority Within Reach, which offers a conclusion.

At least one of her predictions has, thankfully, come true as on the third page she suggests that Steve Bannon will be “voted off this gory reality show… perhaps by the time you read these words”. But like in any contemporary political book, events, like sorrows, do not come in single spies but in battalions. Klein knows this, noting the speed of change in capitalism but also noting the biggest change being the book’s epigram, quoting the late John Truddle, a Native American activist, “I’m not looking to overthrow the American government, the corporate state already has”. Big Oil and Big Armaments have taken over.

Klein suggests that these people’s refusal to accept climate change is the end result of their neo-liberalism. Combating climate change means regulation, Government control, responsibility and acceptance of a common interest between those in the “Green Zones and Red Zones”. There is no such acceptance. The Green Zone and Red Zone blueprint is that of Hurricane Katrina which devastated New Orleans. Guess which zone the poor lived in. Guess which zone was helped. Klein suggests there will be many more green and red zones locally and internationally as the super-rich plan to survive on their terms.

I wasn’t 100% convinced of this as there are divisions between capital, and if we die who will buy their things. You can see these divisions over social liberalism. Starbucks, Google, Facebook and Amazon enforce poverty by tax avoidance, but they are opposed to Trump’s anti-migrant policy and in favour of equal marriage. Christian right Trump supporters boycott Starbucks because of the company’s support for LGBT concerns. Many company leaders have sheered away from Trump because of his racism, and because identification with Trump damages their own brands.

When the Five Leaves’ book group discussed No Is Not Enough the other main criticism was that, while accepting the book was about the USA, there was little international connection. In particular the coincidental rise of other strong and disastrous leaders – Modi, Erdogan, Netanyahu, Kaczynski – in illiberal democracies or semi-democracies. Trump is simply the worse of a bad bunch. All of whom want to be his friend.

I was also a little confused as to how change will come – sure, from the bottom up, sure with alliances between organised labour (or labor, since we are in America) and environmentalists, but surely also with some movement within the Democrats, for who else, in local authorities and in individual states, will be able to implement change.

Despite these criticisms – no, not criticisms, discussion points – this book is important and should be read.

Ross Bradshaw

Copies of No Is Not Enough are available for £12.99, post free, from Five Leaves Bookshop, 0115 8373097

Radical Walking Tours of New York City by Bruce Kayton (Seven Stories, £11.99)

January 2, 2017 10:22 am No Comments

In the era of Trump I won’t exactly be rushing back to the USA, but I wish I’d known of this book on my one previous visit, when I spent some time in New York. During that visit I joined some friends in marching with a largely Hispanic demonstration against police brutality. I don’t speak any Spanish but it did not take much knowledge of the language to know why big, tearful, poor Hispanic women were holding up pictures of their sons. There had been a lot of Hispanic men from “the Projects” shot in the back, allegedly when running away from burglaries. Immediately after the demonstration I joined a distant relative at a restaurant at the top of the World Trade Center. It had a luxurious men’s room where a Black man handed you a towel…

Poverty and wealth then. Most of the New York guides concentrated on the latter, this book the former, or at least attempts to break the poverty, racism – including restrictive employment practices, red-baiting, union-busting and environmental damage on which the wealth is built. In any one chapter you can find details of union struggles, anti-war activism, socialist bookshops, Black self-organisation from the nineteenth, twentieth and early in this century.

Over all, however, is the blight of gentrification. One of the flats rented by the anarchist Emma Goldman was recently on the market for $4000 a month while the Black gay poet Langston Hughes’ old house in Harlem would set you back a million. The writer suggests that if you want to visit Revolution Books, the best radical bookshop in New York, you check its website first as it has moved so many times, most recently from Chelsea to Harlem, as it has been priced out of premises after premises.

The section on Brooklyn Bridge remembers how many men died in its construction and the terrible illnesses the underwater workers suffered. The Bridge has become a way of snarling up the city and over 700 Occupy marchers were arrested there. At least some aspects of New York’s radical past continue.

This is a great book to dip into, full of interesting snippets of labour history, though an index would have been a great help.

Ross Bradshaw

My Life, My Body by Marge Piercy (PM Press, £8.99)

December 26, 2015 1:47 pm No Comments

For people of a certain age and a certain background, Marge Piercy was an important writer. Her feminist utopia Woman on the Edge of Time is perhaps still read but, at least as a novelist, her star has faded. I’ve read thirteen of her seventeen novels and used to read Vida every year or two, Piercy’s book about a woman in America’s illegal political underground of the 60s and 70s, but the stream of novels seems to have ended.

Some years ago Five Leaves published two collections of Marge Piercy’s poetry. In America she is still renowned as a poet but her collections did not travel well. I met her once, prior to publishing the books. It would be fair to say it was probably not a memorable occasion for either of us. I hope I did not behave like some of her fans described in “Fame, fortune and other tawdry illusions” who expect more from Piercy than the normal relationship between an author and a writer. She writes in that chapter about the way some of her readers would over-personalise the author/reader relationship. Indeed she details the views of her academic feminist critics who thought that she was not living up to their expectations.

Yet it’s precisely her involvement in the causes she writes about that made her books important to so many people, and in this book – a set of essays – she reinforces what perhaps we instinctively knew. She describes her Jewish working-class, hardscrabble background which led her, as a writer, to give voice to women workers on whose labour, for example, universities depend. She describes the reasons she became a feminist, an essay that should be widely circulated, and she describes her involvement in the anti-war scene in America. Unusually for an American writer she also describes herself as a socialist.

Of equal importance to the historical essays are “Gentrification and Its discontents” and “Housewives without houses”. In the latter she talks about meeting homeless women, the hidden homeless of America and in the former – one of the causes of such homelessness – the way cities have become gentrified. In this essay she works her way through the cities she has lived in – Detroit, Paris, New York – talking about the rents she once paid and the rents now charged for the same flats showing how working class people and lower-earning bohemians are forced out. Even in Wellfleet, her Cape Cod home for many years, which has been famed as an artists’ colony, the area has been taken over by people with summer houses. Ironically, a committee set up to look at how to bring more year-round employment to the area had difficulty meeting as several of the committee themselves were only part-time residents.

For those of us who read Marge Piercy in the 70s and early eighties the “personal is political” strap-line mattered. And in America it still does as witnessed by the title essay in the book, “My life, my body” which is about abortion. Piercy talks about her own abortion and her active involvement in supporting women before the landmark 1973 Roe Vs. Wade case which made abortion legal in America. For the pro-life, pro-gun, pro-death penalty right abortion rights are at the cutting edge of their politics with clinics being picketed and pro-abortion doctors being attacked (and in some cases killed). At the same time as the right acts against women’s right to choose welfare is attacked, daycare is limited and Obamacare is threatened. Piercy reminds us who suffers most here.

Ross Bradshaw

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